I would describe the experience of doing an interview with Cameron Stallones of Sun Araw as both thrilling and nerve-racking. Thrilling in that you’re likely to end up with something really thought-provoking and surprising. Nerve-racking because considering how much care Stallones puts into his output, I knew that I really had to bring my A-game. After several hours of bleeding over questions, several spirited email exchanges, and much anticipation, I am at last able to present to you the interview you see here, along with the track “The Stakeout: Reprise” off of ON PATROL, Sun Araw’s latest album. I don’t know about you, but I think this song could be the soundtrack to the buddy cop movie that exists somewhere in my subconscious.
Samantha Cornwell: I know that you do all of your own album art work for Sun Araw, and seem to have a pretty clear vision of how you want your music to be represented visually. How do you feel this aesthetic unity effects the Sun Araw experience and sets it apart from other musical projects that you are familiar with? Have you applied a similar rigor to previous musical projects of your own?
Cameron Stallones: I want the zones to flow all the way through, start to finish, eyes to ears, brainpan to inner visions. That’s really powerful and important to me. I just can’t help but get stoked about the object-creation side of it anyhow, such a heavy scene! Not to mention the ability to physically realize for others the inner-zones that you’ve been dwelling in so long while recording. Thankfully, in most of the other bands I’ve been in, people have been down and had similar goals. In Magic Lantern the artwork is always a collab, but those dudes like getting down into it, making something really thorough. I guess those are complicated ways of saying I can be super picky, though. But a lot of the bands I idolize are those that were super singular in their aesthetic visions as well as their music. I just see it as preparing the way for the jams, folding them in love.
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Following a mysterious cop raid two weeks ago and the announcement — earth-shattering for some — that 

To conclude this year’s coverage of the Micro-Pixel-Rites showcase at SXSW, which only lasted one day but has somehow filled up over a month of retrospective blog time, I thought I would point out that Rangers was not the only one-man recording project that had mysteriously blossomed into a full rock band by the time they touched down in Austin. After reading Sawyer Carter Jacobs’ most lavish and writerly description of the new
Hey dudes and dudettes. Visitation Rites is currently seeking a summer webatorial intern to work out of our North American HQ in “sunny” Williamsburg, Brooklyn. For someone who is interested in learning how to build a music blog from the ground up, this should be about as hands-on an internship as you can get. We are looking for a happy camper who knows and cares about at least 50% of the artists featured on this blog, who believes that music will save our souls, and who is able and willing to help out in one or more of the following areas: writing and copyediting for the web, video, photography, web radio, and “curating” shows. 



