Sun Araw- “Heavy Deeds”- Synchronicity Space- Los Angeles, CA- 7/3/10 from Samantha Cornwell on Vimeo.

As much as I’ve come to love the city of Los Angeles, I’d be a liar if I said that a certain amount of my experience here hasn’t been characterized by feelings of displacement and alienation. Sometimes the feeling of being a small, isolated dot on a large map is too much to bear. I felt this feeling quite strongly on July 4th, 2009. I was at a party on Venice beach thrown by a friend of a friend. We went up to the roof deck to watch the fire works that were being set off in Santa Monica.

As a native New Yorker, I’ve grown up with the Macy’s fireworks extravaganza that (usually) happens over the East River. Although there are some entertaining amateur pyrotechnics going on in certain sections of town, it is all about everyone in the city watching the same bright lights for one night. Obviously the bar was set high, so I was pretty let down when I saw how far away — and relatively puny — the Santa Monica display was. A friend turned to me and said, “this sucks.” I couldn’t help but agree.

Sometimes when you’re searching for the “ultimate” experience here in L.A., it is easy to find yourself feeling let down, left out, and turned off. This city is large, fractured, and easy to feel lost in. The feeling of a communal love fest can be found, but it does not come as quickly or easily as in some metropolises.

But feelings of bliss burn strongly when you learn to love this strange place for what it is. I had an extended moment of happiness on July 4th weekend, 2010. After a relaxed BBQ in a Silver Lake backyard, three of us headed for the Elysian Park Hills to try and scope some fireworks from Angel’s point. As we looked over the hills, we didn’t see one centralized fireworks show. Instead we saw a profusion of starbursts, all obviously products of amateur displays being set off from lawns, porches, roofs, and even from the street. The quality varied, but the volume was unreal.

At that point, something kind’ve clicked for me. These fireworks weren’t as sleek as what I was used to in New York, but with each blast I felt a sense of some individual setting it off. From where I was standing, I could see many of these displays, but the intended audience was more likely the people in the immediate vicinity of the person setting them off. There was something magical about imagining these little microcosms and experiencing the collective energy that they gave off on that special evening. We revelled in thus further as we roamed the streets of Echo Park, where you could find someone setting off a blast nearly every 20 feet. My friend Molly joked that it was like a really pretty war.

What I’m getting at here is that every person is capable of having an audience, even if it is a tiny one. Whether its your lover, your best friend, a room of people, or a huge crowd, you’ve got to do your thing for your audience with as much organic enthusiasm as you can. If you keep at it, and make it count, the energy you give off might gradually cause your audience to grow, but even if it doesn’t you’ve got to keep doing it for the people who are already there. Sometimes the search for the “right” place or experience proves futile and you’ve got to start from scratch wherever you are, and create your own environment. This kind’ve approach to life is essential to the LA experience. As these thoughts took over my head, I was brought back momentarily to the previous evening, when I was watching and taping Sun Araw at Synchronicity Space.

I’ve seen Sun Araw many times over the course of the last year. In fact, I’ve probably seen Cameron Stallones & co. more times than any other L.A. band. Sometimes the room is packed, and sometimes there are only around 20 people in attendance. As time has gone on, Sun Araw has continued to gain fans, and almost all of them are quite enthusiastic. There are lots of reasons for this, but one of the main things that gets me excited about Sun Araw is the persistent passion and energy he channels into every recording and every performance — no matter how many people are listening.

The July 3rd show at Sync Space was no exception to this. Those of us who crowded into that small DIY venue that night were treated to a tight, rousing performance that came equipped with highs, lows, and all the things that remind us why we love music. The venue wasn’t huge, but the performance and the vibe it created were. At one point, Cameron thanked the crowd for making the show into a really amazing zone. When you approach your creative output with passion, energy, and rigor, the space around you will become worth spending some time in. You can feel some of that by watching the riveting performance by Cameron and Nick Malkin in the video above. In the mean time, start engineering your own starbursts.

Video: Samantha Cornwell
Words: Samantha Cornwell

“Heavy Deeds” is the opening track on Sun Araw’s eponymous l.p., released in 2009 on Not Not Fun.

Tags: Heavy Deeds, Sun Araw, Synchronicity Space

This entry was posted on Tuesday, July 13th, 2010 at 11:00 am and is filed under ENGLISH, Sightings, Uncategorized, Video. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.