Archive for August, 2010

Sightings: The Vacant Lots, “Confusion”

Wednesday, August 18th, 2010

I couldn’t get enough of Burlington, VT duo The Vacant Lots when I stumbled upon their MySpace a few months ago, but now I’m a little afraid to return. As though the gods were trying to tell me that listening to their music involved taking a certain risk — or even putting myself in danger — I encounter a Malware warning every time I click the link. This wouldn’t seem significant if their raga-tinged psych anthems didn’t seem to be shrouded in the sinister magnetism of a mystery narcotic that is best left untouched, but I guess this is why I keep going back for more.

Though it’s only two-notes tall and minimal as all hell, the twangy guitar hook on “Confusion” is what gets me every time; we know that we’re just sailing along, that the waters are still and the earth is flat, but somehow we feel transfixed by all this stasis. No matter how many times we hear it, it still sounds ridiculously fresh. As it wrestles with a continuous drone that you may or may not even hear, it seems to be taking us somewhere — simultaneously down into a watery grave and up to the heavens, back to the elemental ’60s and forward into oblivion. And somehow this nothingness forms the foundation of a pop song.

I happen to have once been acquainted with frontman and guitarist Jared Artaud– in another town, under a different name– and the one tidbit of information I will share about this guy is that for some reason, he was always trying to everyone he met on to the Velvet Underground. As though we hadn’t all be listening to them since middle school. As though they didn’t already constitute about 60% percent of what we understood and loved about rock music, the weird and unusual places where rock music could go. We laughed at him for this, but perhaps he was simply in the habit of discovering them for the first time every day.

The Vacant Lots, “Confusion” (Hypnotized, Ancient Hills Music)

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Words: Emilie Friedlander

Hypnotized, The Vacant Lots’ third full-length, is available for download via bandcamp

Sightings: GEM TRAILS, “Old Kid”

Tuesday, August 17th, 2010

This one commands the breathless awe of a five-year-old child peering inside her mother’s jewelry box– the fear that her breath will somehow shatter its contents, the anxiety that her eyes will somehow make it disappear. It’s easy to riff on “GEM TRAILS,” the title of the new solo project by Woodsman’s Trevor P., but “Old Kid” tinkles and twinkles like a giant pile of rockcandy resurfacing in the dreams of adulthood, as inexpicable as it is poignant. The beauty we encounter here is of the most fragile variety; the sparkling aural glitter says “yes” to the universe, and the voice simply strains to say “yes.”

GEM TRAILS, “Old Kid”

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Brooklyn, August 27: Last Friday and Visitation Rites present Oneohtrix Point Never, Arp, James Ferraro, and Future Shuttle

Tuesday, August 17th, 2010

Join us for an evening of arpeggiators, frosty drones, recycled cultural refuse, and unhurried exaltation with four of Visitation Rites’ most beloved, millenial electronic artists:

Oneohtrix Point Never
Arp (Record Release)
James Ferraro (w/special guests)
Future Shuttle
Blondes DJ Set

Friday, August 27
Coco 66
66 Greenpoint Avenue
Brooklyn, NY 11222-1504
$8, doors and Svedka open bar at 9pm

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Altered Zones Pick: Caboladies, “Promise Ring Tone”

Monday, August 16th, 2010


Writing about new and up-and-coming music can be an exasperating experience. Each day new bands crop up on MySpace and various blogs, via e-mail and word-of-mouth recommendations. Keeping up with this onslaught of tunes would be a full-time job if someone were willing to pay, but even if you do it out of a love for music and a desire to discover something new, the experience can be disheartening. Bands are picked up, dissected, re-blogged, criticized, canonized, and discarded all in an afternoon.

I found myself in a particularly negative space a few months ago, and quit writing about music altogether. Keeping up with all of the latest finds is one thing, but when those finds are failing to turn you on musically, the situation is dire. At the nadir of this funk I discovered Caboladies and, to put it plainly, my faith was restored. I first encountered the duo live. Seeing Chris Bush and Eric Laham face each other over that classic indicator of live electronics wonder — a table overflowing with gear — I had high hopes even before the music started.

Although loosely grouped with contemporary synth revivalists like Oneohtrix Point Never (with whom they released a split cassette) and Sam Goldberg, Caboladies’ sound has much more affinity with blasted abstract electronics than cascading waves of synth wank. The resulting sound is surprisingly beat-oriented, the physicality of the music potent enough to translate effectively on record. As showcased on their recent Live Anywhere LP, the sound of Caboladies is as passionate as any traditional rock music, nullifying any lingering notions (yes, they’re still out there) about the soullessness of electronic music. Even more appealing, the group’s sound is thoughtfully mixed, each element clear and distinct, avoiding the pervasive lo-fi murk that homogenizes much contemporary underground electronic work.

The snappily-named “Promise Ring Tone” is from an upcoming full-length on Students of Decay. The track is a distillation of the qualities that define Caboladies’ sound. Beginning with high-pitched squawks and squeals over a placid ambient background, the track cycles through a catalog of whirrs and whooshes, propelled by an elusive, internal momentum. “Promise Ring Tone” achieves the superhuman, making conjuring beauty from chaos and disparate sonic elements sound effortless. The result is a compulsively listenable marriage of songcraft with vigorous electronic wizardry.

Caboladies, “Promise Ring Tone” (Renewable Destination, Students of Decay)

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Altered Zones pick of the week
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Visitation Rites Is Taking a Space Vacay

Monday, August 9th, 2010

Dear readers,

It’s been a long time since we skipped town, and Art Van Delay Industrees’ beginner’s space travel package was just too sweet to pass up. We’ll be back by Monday, August 16. For those of you who will be in Brooklyn while we’re gone, the Underwater Peoples showcase at Shea Stadium next Saturday should be the ultimate celebration of these summer dog days. As you take a breather on the balcony, we’ll be smiling down on you from the dark side of the moon.

Sincerely,

The Visitation Rites Family

Underwater Peoples Summer Showcase 2010
Saturday, August 14th — $5 — Doors at 7pm
Shea Stadium — 20 Meadow St, Brooklyn, 11206

No Demons Here
Big Troubles
Family Portrait
Julian Lynch
Andrew Cedermark
Warlords
Alex Bleeker and the Freaks
Air Waves
Fluffy Lumbers
Ducktails

Food will be made available by Last Action Hero (Mobile Deli Unit)

Pre-order tickets here.

Sightings: Matt Costa, “The Season”

Friday, August 6th, 2010

The end of summer is upon us and although the days are still long, they’re not as long as they were in June when the season was young and seemingly endless. I find around this time of year there is a specific kind of niche that can only be filled by songs of the ’60s Summer of Love. Perhaps during that time, there was a greater urgency at the end of summer when the mass of people were going home, back to school, work, normalcy.

Matt Costa’s “The Season” evokes the nostalgia of the generation most of us weren’t even part of. With it’s lush arrangement of baroque and traditional rock & roll instrumentation, it particularly reminds me of Odyssey and Oracle-era Zombies. But looking past the wall of reverb, tambourines, harpsichord, and horns, what strikes me the most is Matt Costa’s song writing style, his use of words and phrases that channel that era through our collective memories of it. “This is the season when everybody’s leaving” is the most prominent line in the song, and resonates long after it’s over. It sort of sticks out from the rest of the lyrics, which are about a girl (who else?) and his sentimental depiction of her walking away. There is definitely something about departure and pop sensibilities that go hand in hand.

Matt Costa, “The Season” (Mobile Chateau, Brushfire Records)

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Altered Zones Pick: Sore Eros, “Make it Louder”

Thursday, August 5th, 2010

I have been a traveling fool these past few weeks. Road trips, train rides, cabs, rinse, repeat. Lucky for me, Western Mass home recorder Robert D. Robinson (aka Sore Eros) makes music for taking a load off. Know Touching, his upcoming full-length, overflows with tightly arranged, folksy chill-fi. Shining harmonicas introduce rhythmic acoustic guitar and hazed-out vocals, taking you to that moment just before an afternoon nap next to someone you love. “Make It Louder” seeps through the ears and massages the brain.

Sore Eros, “Make It Louder” (Know Touching, Blah)

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Altered Zones pick of the week
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VR Vimeo: Summer Nights with Speculator

Tuesday, August 3rd, 2010

Speculator- “Stay Cool”- Show Cave- Los Angeles, CA- 7/31/10 from Samantha Cornwell on Vimeo.

There is something fundamentally intoxicating about the music of Los Angeles’ Speculator. The fusion of catchy Italo-Disco hooks, Nick Ray’s dreamy vocals, and Ben Goddard’s fierce guitar forms the perfect soundtrack for a summer night. Not just any night, but the kind where you are surrounded by friends in a backyard with an ice-cold Tecate in your hand and fireflies sparkling above. So sit back, crack a cold one, and enjoy this video of Speculator’s performance at Showcave last week.
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Sightings: Dream Boat, “Your Beaches” Video

Monday, August 2nd, 2010

Your Beaches from Dream Boat on Vimeo.

I woke up today to one of the biggest surprises in my two and a half years as a music blogger: an (appropriately) late-night missive from Dream Boat’s Sina Sohrab, whose unbearably haunting electronica made we wax pretty poetic last week on Visitation Rites and Altered Zones. Inspired by the nocturnal scenario her music conjured for me, Sina spliced up some footage Jack Cadiff’s The Girl On A Motorcycle and made an equally spine-tingling video to accompany the track. It must be true that an image speaks a thousand words, because this video captures everything I succeeded in saying about this song and everything that will forever remain on the tip of my tongue. It is hard, for example, to describe the fact that even the most harrowing of dream experiences can be mixed with the exhilaration of complete freedom. In fact, the only thing that I can say with certainty here applies to what occurs off-screen: the woman in this video will wake up in the same bed, next to the same man, regardless of where she went and what she did and whomever she danced with in the unremembered blue hours.
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