I couldn’t get enough of Burlington, VT duo The Vacant Lots when I stumbled upon their MySpace a few months ago, but now I’m a little afraid to return. As though the gods were trying to tell me that listening to their music involved taking a certain risk — or even putting myself in danger — I encounter a Malware warning every time I click the link. This wouldn’t seem significant if their raga-tinged psych anthems didn’t seem to be shrouded in the sinister magnetism of a mystery narcotic that is best left untouched, but I guess this is why I keep going back for more.
Though it’s only two-notes tall and minimal as all hell, the twangy guitar hook on “Confusion” is what gets me every time; we know that we’re just sailing along, that the waters are still and the earth is flat, but somehow we feel transfixed by all this stasis. No matter how many times we hear it, it still sounds ridiculously fresh. As it wrestles with a continuous drone that you may or may not even hear, it seems to be taking us somewhere — simultaneously down into a watery grave and up to the heavens, back to the elemental ’60s and forward into oblivion. And somehow this nothingness forms the foundation of a pop song.
I happen to have once been acquainted with frontman and guitarist Jared Artaud– in another town, under a different name– and the one tidbit of information I will share about this guy is that for some reason, he was always trying to everyone he met on to the Velvet Underground. As though we hadn’t all be listening to them since middle school. As though they didn’t already constitute about 60% percent of what we understood and loved about rock music, the weird and unusual places where rock music could go. We laughed at him for this, but perhaps he was simply in the habit of discovering them for the first time every day.
The Vacant Lots, “Confusion” (Hypnotized, Ancient Hills Music)
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Words: Emilie Friedlander
Hypnotized, The Vacant Lots’ third full-length, is available for download via bandcamp



Dear readers,





