Journalistic shorthand often requires inventing easy categories. One of the most notorious and ill-conceived of the modern era is “the Brooklyn scene.” This monolithic tag is applied to all kinds of bands, and although you could accurately state that there are certain bands who have affinities or connections with each other in Brooklyn, this is true to an extent in all local scenes. Crucially, bands that hop from blog pages to trendy labels in the blink of an eye and are given the “Brooklyn” designation represent just a tiny sliver of the musical diversity in the borough and NYC at large. For this round of bands not participating in SXSW, I’ve chosen a number of under-exposed New York artists.
Brachiosaurus: “The Nature of the Rulers”
Brachiosauras hail from Astoria, in the musically under-appreciated borough of Queens. The band have a straightforward approach that leans heavily on instrumentals, but there is enough creativity in their use of guitar textures and distortion to transcend the banalities that plague much “heavy” music. They’ve just released their self-titled debut and you can find them on Tumblr in addition to Soundcloud and Bandcamp.
Tezeo: “Open Windows”
Tezeo are a duo from Brooklyn working in the extremely fashionable electronic pop idiom. There is a shimmering optimism to the group’s recordings, foregoing the damaged, sample-based scuzz of some of their peers for a clean, welcoming sound. I prefer the flip of their just-released “Friends”/”Open Windows” single on Dummy (instructively, the single is mastered by Sam Haar of Blondes).
Jerry Paper: “I’m A Body”
Jerry Paper is the current moniker of Lucas Nathan (formerly Zonotope™). The Brooklyn-based artist’s Vol. 1 tape is imminent from Digitalis Limited. His damaged pop sensibility is an inversion of the confessional singer-songwriter method, deadpanning ambivalent platitudes over murky plongs and campy whirrs. The result is disorienting and singularly weird, a fully-formed aesthetic space that deserves more attention.
Words: Max Burke