Archive for the ‘Sightings’ Category

Sightings: Secret Colors, “Hammock Vibe”

Friday, September 3rd, 2010

I haven’t heard Ducktails lay down any warped bongo samples for quite some time now, though this number by Seattle solo flyer Secret Colors brings me back to my first Ducktails experience, which was perhaps the first time he ever performed under that name: sitting Indian-style in a Northampton yoga studio that had to be hotter than 105 degrees, trying to wrap my mind around a rhythm that sounded a bit like this one only to blank out completely inside a tornado of pentatonic flute scales. It was a time before words like “chillwave” or “hypnagogic pop” even existed, still a few years before you could log on to the internet and find dozens of blogs rattling off the manifold pseudonyms of mystery tape collagists. In those days, even if they weren’t that long ago, naming your guitar store “Pentatonic Guitars” wouldn’t have automatically made sense. It’s hard to forget those moments when new horizons open up inside the listening ear, horizons that you never even imagine will harden one day into concrete, reproducible tropes. I thank Glow of the Cube blog for the tip on Secret Colors. I don’t think “originality” is what matters in psychedelic music, anyway; it’s the feeling that an artist is always still looking.

Secret Colors, “Hammock Vibe”

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Sightings: Geoffrey O’Connor, “Now and Then”

Wednesday, September 1st, 2010

“Now and Then”, the new single by Crayon Fields frontman Geoffrey O’Connor, feels like listening to Television’s Adventure for the first time after memorizing all the guitar solos on Marquee Moon like the cracks on the sidewalk on St. Mark’s place. Marquee Moon is the “perfect” rock record because it just feels so raw, funneling all the excitement and torment of youth through structures so elaborate and precise that the whole thing seems continually on the verge of collapse. With Adventure, we hear the sound of all that crude talent finally becoming aware of itself, shining its shoes and trading in its ripped jeans for tailored slacks. For better or for worse, the reverb-dripping, crystal-clear production on Television’s second album automatically signals that the band has reached a new level of “maturity” — and somehow this logic carries over to “Now and Then”, where Geoffrey O’Connor sounds like he’s finally read to trade in his Harry Potter glasses and reflect wistfully, even a tad elegiacally, on the salad days of his youth. Definitely couldn’t think of a better soundtrack for loosening your tie at the end of a date with a bottle of fine bourbon.

Geoffrey O’Connor, “Now and Then”

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Sightings: Friendly Knowledge, “Delight Moment”

Tuesday, August 31st, 2010

Ever since the Visitation Rites inbox became a horizonless sea of triumphantly homologous chillwave MP3s, anything with a beat that does not sound like an imitation of an imitation of Neon Indian is more likely than ever to feel like a preserver. Friendly Knowledge, a New Jersey (?) bedroom producer with one of the most poorly designed and spam-ridden MySpace pages I have ever seen, chops up Jazz of the Big Band and Bebop variety and rearranges these shards of collective consciousness over commercially viable hip hop beats. “Delight Moment” is a giant, teetering tower of shattered urban reference points, footprints of a glittering, sepia-colored New York where Sinatra might have plotted his rise as sailors kissed their sweethearts before Broadway box offices. Somehow, as if by a lucky toss of the dice, the illusion hangs together quite nicely.

Friendly Knowledge, “Delight Moment”

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Sightings: Mathemagic, “Breaststroke”

Tuesday, August 31st, 2010

I am not the kind of person who ever would use the word “magical” to describe math. And I would never use it to describe music I enjoy, either. To me, “magical” implies illusion or trickery. Toronto’s Mathemagic do not deal in audio fake-outs. The shimmering intro and steady rhythm of “Breaststroke”, a song off their recent split with Young Prisms on Atelier Ciseaux, transport you to a secluded swimming hole, a liquid fortress of solitude. This track doesn’t just send you away to enjoy a moment of “me” time, it gives you the desire to stay there. Why not? Who needs a job? Who needs money? Certainly not you. Why spend your life attaching resumes to emails when you can spend all night swimming in a pool lit by bright electronic noise?

Mathemagic, “Breastroke” (Mathemagic/Young Prisms 7″, Ateliar Ciseaux)

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Sightings: D’EON, “What We Want to Be”

Tuesday, August 24th, 2010

I only recently became familiar with the loopy R&B stylings of Montreal’s Chris Deon, aka D’EON. For days now, my clicking finger has continuously compelled itself to press play on “What We Want to Be” in his embedded music player. I simply cannot help myself. D’EON’s forthcoming debut album Palinopsia may loosely be about the end of world, or an uncertain future. But I’m not to sure about this song. “What We Want to Be” exudes optimism. No one can dare deny the foot-tapping — and, ahem, booty-shaking — grooves that pleasantly flow in, out, and around your brain’s pleasure center for the song’s entirety. The track’s timeless sentiment also proves undeniable. I am in full agreement with Chris Deon. We really can choose what we want to be.

D’eon, “What We Want to Be” (Palinopsia, Hippos in Tanks)

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Sightings: Autre Ne Veut, “Soldier” Video

Monday, August 23rd, 2010

AUTRE NV “SOLDIER” from OLDE ENGLISH SPELLING BEE on Vimeo.

Olde English Spelling Bee mystery artist Autre Ne Veut has been churning out bizarro blue-eyed R&B for more than a minute now. For those of us less inclined to revel half-sentimentally/half-ironically in the memory of late ’80s/early ’90s stadium pop, the cheese factor may be a bit of a hard sell. But of all the “We Are The World”-generation Ipod crooners that have been cropping on indie rock bills recently, Autre Ne Veut’s vision is epic enough to remind me of some of my favorite outsider artists of all time — most notably New Jersey’s Kenneth Higney, who once penned some songs for Bruce Springsteen in the hope that The Boss would one day bring them to the world. Like Higney, this guy sings with enough soul-shredding emotion to invalidate kitsch as an aesthetic category.

If you, like me, were born in the year 1985, Luke Wyatt’s digi-psychedelic visuals for “Soldier” will recreate the carnival of images that once flashed through your mind as you lay on the floor of your kindergarten classroom, trying to catch some shut-eye with a stomach full of apple juice and a heart heavy with prayer for the soldiers in Iraq. Princess Leia, GI Joe, and that fat kid we saw crying on Ricki Lake last week dance like Fly Girls across our crania; little do we know it, but we are formulating our first political thought.
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Sightings: Green Gerry, “I Am Getting Old” Video

Thursday, August 19th, 2010

I am getting old – Green Gerry – Odd Tymes from Green Gerry on Vimeo.

Maybe it’s because I never thought it would happen, but the pairing of Green Gerry’s cockeyed folk with the dazzling precision of a military spectacle keeps blasting me with a combination of awe and seasickness. In fact, clicking play on this video for “I Am Getting Old” felt kind of akin to discovering an intricate mosaic of spores on a slice of leftover grilled eggplant. Who in their right mind would find this dying sigh of a love song to be a fitting soundtrack for a kaleidoscope of uniformed motorcyclists? Not to mention that unforgettable gaggle of admiring military brunettes, applauding in deadening unison before videomulching away? I suppose Green Gerry’s music is not in its right mind, but that’s kind of what I like about it.
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Sightings: The Vacant Lots, “Confusion”

Wednesday, August 18th, 2010

I couldn’t get enough of Burlington, VT duo The Vacant Lots when I stumbled upon their MySpace a few months ago, but now I’m a little afraid to return. As though the gods were trying to tell me that listening to their music involved taking a certain risk — or even putting myself in danger — I encounter a Malware warning every time I click the link. This wouldn’t seem significant if their raga-tinged psych anthems didn’t seem to be shrouded in the sinister magnetism of a mystery narcotic that is best left untouched, but I guess this is why I keep going back for more.

Though it’s only two-notes tall and minimal as all hell, the twangy guitar hook on “Confusion” is what gets me every time; we know that we’re just sailing along, that the waters are still and the earth is flat, but somehow we feel transfixed by all this stasis. No matter how many times we hear it, it still sounds ridiculously fresh. As it wrestles with a continuous drone that you may or may not even hear, it seems to be taking us somewhere — simultaneously down into a watery grave and up to the heavens, back to the elemental ’60s and forward into oblivion. And somehow this nothingness forms the foundation of a pop song.

I happen to have once been acquainted with frontman and guitarist Jared Artaud– in another town, under a different name– and the one tidbit of information I will share about this guy is that for some reason, he was always trying to everyone he met on to the Velvet Underground. As though we hadn’t all be listening to them since middle school. As though they didn’t already constitute about 60% percent of what we understood and loved about rock music, the weird and unusual places where rock music could go. We laughed at him for this, but perhaps he was simply in the habit of discovering them for the first time every day.

The Vacant Lots, “Confusion” (Hypnotized, Ancient Hills Music)

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Words: Emilie Friedlander

Hypnotized, The Vacant Lots’ third full-length, is available for download via bandcamp

Sightings: GEM TRAILS, “Old Kid”

Tuesday, August 17th, 2010

This one commands the breathless awe of a five-year-old child peering inside her mother’s jewelry box– the fear that her breath will somehow shatter its contents, the anxiety that her eyes will somehow make it disappear. It’s easy to riff on “GEM TRAILS,” the title of the new solo project by Woodsman’s Trevor P., but “Old Kid” tinkles and twinkles like a giant pile of rockcandy resurfacing in the dreams of adulthood, as inexpicable as it is poignant. The beauty we encounter here is of the most fragile variety; the sparkling aural glitter says “yes” to the universe, and the voice simply strains to say “yes.”

GEM TRAILS, “Old Kid”

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Brooklyn, August 27: Last Friday and Visitation Rites present Oneohtrix Point Never, Arp, James Ferraro, and Future Shuttle

Tuesday, August 17th, 2010

Join us for an evening of arpeggiators, frosty drones, recycled cultural refuse, and unhurried exaltation with four of Visitation Rites’ most beloved, millenial electronic artists:

Oneohtrix Point Never
Arp (Record Release)
James Ferraro (w/special guests)
Future Shuttle
Blondes DJ Set

Friday, August 27
Coco 66
66 Greenpoint Avenue
Brooklyn, NY 11222-1504
$8, doors and Svedka open bar at 9pm

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