Archive for the ‘Uncategorized’ Category

Sightings: Quicksails, “Walking Through Rain”

Wednesday, December 14th, 2011

Otherwise known as the drummer in the seriously awesome Chicago free jazz band Tiger Hatchery, Ben Billington goes deep on the less harsh side of noise as Quicksails.  ”Walking Through Rain,” from the NNA-released A Fantasy In Seasons, goes beyond our initial sounds-of-the-rainforest association. In fact, I believe there to be some sort of “universal language” type of communication between the organic and the synthetic occurring here. Hard industrial bombastic drums machines signal the beginning of what could be a Dionysian affair between the more exotic animals of this planet and those existing beyond the astral plane—their voices a myriad of percussive sounds (both organic and inorganic), non-dance floor electronics, well-placed samples,and  gut-wrenching negative spaces. I’m not certain for which season this sort of fantasy-in-harmonium was intended, but I’m pretty sure I could get into this any time of year.

Quicksails: “Walking Through Rain”

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Words: Mary Katherine Youngblood

A Fantasy In Seasons is out now on NNA Tapes. Check it, and the other two of three 2011 Quicksails cassettes from Deception Island and Digitalis Limited

Sightings: Flower Man, “Inversion Fortuite”

Monday, December 12th, 2011

Flower Man is the moniker of Chris Bush, half of Caboladies, one of my favorite electronics duos working today. Until now, this guise has appeared strictly on limited cassettes and CD-Rs. His vinyl debut, Inversion Fortuite, is a four-part suite pressed onto one side of a 10” record. The extended piece vacillates between ominous soundtrack ambiance and buzzing, plaintive electronic recitatives. Like Caboladies best work, there is a compositional sophistication on display here that sets Flower Man apart from the avalanche of contemporary solo drone operators. Drone is a misnomer in itself: the music here is far more restless and engaging than that overused descriptor would have you believe.

Flower Man: “Inversion Fortuite”
Inversion Fortuite by Flower Man by Monofonus Press
Words: Max Burke

Inversion Fortuite is now available from Monofonus Press.

Sightings: Sam Mickens, “At The Mountains Of Madness/Ebb Tide (C. Spencer Yeh remix)”

Friday, December 9th, 2011

With no four-on-the-floor, no loops, no EQ sweeps, and little in the way of added effects, C Spencer Yeh’s re-organization of Sam Mickens‘ “At The Mountains Of Madness/Ebb Tide” really has it all. Having obliterated any sort of song structure, Yeh presents us instead with naked configurations of truncated stems. He is auditioning his ideas, and the packed house so respectfully enraptured with the most tender moments of Mickens’ Billy-Mackenzie-goes-Flamingos original has been invited back to witness the workshopping.

At first, they applaud any recognizable shred of the song they fell in love with; quickly, they learn to keep their silence as Yeh expertly reduces the piece to a series of melodic vignettes. The result feels impulsive yet patient, and it’s the kind of beautiful re-imagining that deserves repeated listens on its own while also drawing attention to the thoughtful nuance of its source. What I heard as an audience may sound to you like the “ebb tide” of the title, or Yeh crumpling up his ideas and tossing them over his shoulder, or something else, and that’s a testament to the open-ended versatility of this track and Yeh’s masterful compositional chops.

Sam Mickens: “At the Mountains of Madness/Ebb Tide” (C Spencer Yeh remix)

Words: Sam Franklin

Sam Mickens’ Slay & Slake LP is out now on Shatter Your Leaves

Sightings: Raw Thrills, “Makin’ A Change”

Thursday, December 8th, 2011

As Raw Thrills and one-half of Greatest Hits– a “pop” band with experimental roots– Brooklyn’s Zak Mering makes pop music. On “Making A Change,” a track from his forthcoming Sick Steez LP, his vocals carry exaggerated tones over deliciously dulcet, almost-dance beats. An exceptional arrangement of candied percussion, deep-walking bass lines, and Fantasia keyboard melodies peaks up from low in the mix, making way for a turned-up, arena-style virtuoso guitar solo. Raw Thrills possesses the perfect amount of eccentricity, appealing to way-out ears without alienating the less preternaturally inclined.

Raw Thrills: “Makin’ A Change”

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Check out the Natalie Rodgers-directed video for “Both Ways,” from Raw Thrills’ Shakedown LP, released earlier this year on Sixteen Tambourines

Words: Mary Katherine Youngblood

Raw Thrills will be performing his first-ever-show Dec 10 at Tribeca Grand for the Ad Hoc, The Pop Manifesto and GUNK TV party. Free with RSVP to: events@grandlifenyc.com. Click here for more details.

Sightings: Pigeons: “The Welcome”

Wednesday, December 7th, 2011


If you look past the swirling colors, this Camilla Padgitt-Coles-directed video for NYC folk-rock outfit Pigeons reveals a dancer pirouetting in slow motion. The song, the latest single from the band’s recent They Sweetheartstammers LP on Soft Abuse, feels kind of like an extended pirouette, too. A long, buzzing drone lays the foundation for a cyclical vocal mantra from founding member Wednesday Knudson, as haunting and deceptively aimless as Nico’s notorious cover of the “End” (a personal favorite). Put this one on when you won’t have to go anywhere for a while.

Words: Emilie Friedlander

Grab They Sweetheartstammers LP from Soft Abuse, and check out Pigeons in Brooklyn tonight at Big Snow Buffalo Lodge. Details here.

Sightings: Zillions, “Even Though”

Tuesday, December 6th, 2011

I must give my sincerest thanks to my blog-bro Yvynyl for sharing Rosali Middleman’s debut track under the moniker Zillions. “Even Though” pounds a driving, infectious rhythm under a glossy and similarly addictive guitar riff with great affect. Middleman’s powerful vocal performance and rhythmic inflections are, however, the track’s biggest draw. Her penchant for R&B-esque vocal deliveries floating over a bed of atmospheric effects and skittery riffs recalls the best moments of the Dirty Projector’s opus, Bitte Orca. But where that group seemingly sought to be off-putting and strange, Rosali uses similar methods to comfort and reel in listeners. I believe that the end result makes listening to “Even Though” the closest that I have come to understanding the term “vibe-ing” in reference to an aural experience. I quite enjoy it.

Zillions, “Even Though” (Self-Released)

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Words: Marc Picciolo

Stream “Even Though” above, or by head over to Bandcamp to download

Altered Zones says Goodbye; Ad Hoc says Hello

Wednesday, November 30th, 2011

As many of you have already read, it was announced today that Altered Zones, the blog network that we belong to under the Pitchfork umbrella, will be closing up shop. To many of you, this news might seem both shocking and sad. Since its inception last July, Altered Zones has become an important space for the DIY music community around the world that exists both on and offline. We proudly provided a hub for independent music and art coming from cities, suburbs, rural areas, and bedrooms. With the guidance and resources of Pitchfork, we were able to reach a wider audience than most music blogs can dream of. Although that voyage is coming to an end, we are thankful for what was gained along the way.

However, with every end comes a new beginning. In early 2012 the forces that worked tirelessly to bring you Altered Zones will be reborn in a new realm that we like to call Ad Hoc. Ad Hoc, which will be a completely independent publication and blog network, will not only continue the work that was started at Altered Zones, but expand upon it and move it forward into the future. In addition to being a web portal, Ad Hoc will be fully touchable in the form of a print zine that will feature more expansive and unconventional features pieces, writings by artists, and extensive showcases of visual art. While the benefits of being under the wing of Pitchfork were many, anyone with an inkling of what is going on in this country can see that the times are calling on independent voices to grow stronger. We see Ad Hoc as a music and art publication that will directly respond to this shift in the narrative. Between now and February 2012, the DIY gears will be turning to open up this new point of access, made by this community and for this community.

Let’s all bid a warm farewell to Altered Zones, and say an ecstatic hello to Ad Hoc.

With love,

Your Visitation Rites Family

P.S. You can still call yourself a Zoner if you wish.

Words: Samantha Cornwell

Portraits: Meg Baird

Wednesday, November 16th, 2011

Meg Baird is a singer-songwriter who first rose to prominence as part of storied psych-folk outfit Espers, a Philadelphia collective whose three full-lengths crystallized the sound of the more somber and sonically kaleidoscopic elements of the mid-aughts “Freak Folk” scene. Between Espers’ second and third records, Baird released Dear Companion, an understated but deeply affecting solo record consisting primarily of covers and traditional songs. Those who fell immediately under Meg’s spell had to wait an excruciating four years for the follow-up, Seasons on Earth, which arrived on Drag City this Fall. Some songs find Baird joined, variously, by Marc OrleansSteve Gunn, and Chris Forsyth on guitar. The focus on originals and the inclusion of other musicians expand the sound ever so slightly, though it’s still grounded in Meg’s signature playing style and voice. I spoke with Meg just before she played a show to celebrate the release at Brooklyn’s Union Pool.

VR: Your first solo LP, Dear Companion, was just your voice and guitar. What was the impetus to bring in additional players for this record?

Meg: It happened pretty organically. It was all people that I knew and it was like, “Oh, we should play together,” and then just following through. I didn’t know Marc [Orleans] too well at first but I’ve gotten to know him through D.Charles Speer & The Helix. Steve [Gunn], he actually lived in Philly, so I’ve known him for a long time.

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Sightings: The Smarts, “Modern Life”

Friday, November 11th, 2011

The Smarts were a band from Atlanta/Athens, GA founded by husband and wife Keith and Shawn Smart Longino, with Danny White and David Foster, in 1980. They played their first gig to a sold-out crowd with The Brains, were contemporaries of The B52’s and Pylon, and  garnered a reputation as “the band that opened for R.E.M.” The Live At The 40 Watt Club ‘80 EP is a collection of one-take studio recordings from that year — although the “live” part of the recording was created with the help of Greatest Hits’ Tyler Thacker in 2010, enhanced by “audience” babble from the Longinos’ daughter, Camile. On “Modern Life,” Shawn’s provocative snarl evokes that of fellow new waver Tina Weymouth and hints at glam-rock aspirations on par with her husband’s pension for discontented lyrics à la Lou Reed’s Transformer. The Smarts disbanded shortly after these recordings, and, unfortunately, have no physical releases to date. However, the Longino musical tradition has been given new life in Resin, a “dust bowl glam” collaboration between father and daughter.

The Smarts: “Modern Life”

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Words: Mary Katherine Youngblood

The Smarts perform “Rocket To Stardom” in Dan Halperin’s fittingly “out there” short film by the same name:

Sightings: Littoral Drift, “Be Like A Bird Caught Up In The Air”

Wednesday, November 9th, 2011

Mix samplers represent the “spice of life” in the underground (or any) music community. They bring together the seemingly random sounds of seemingly random artists in one eclectic package that always holds some sweet surprises. The third sampler from the Patient Sounds (intl) collective holds many a gem in its 24 tracks. For me, this accoustic missive from Minneapolis’ Littoral Drift proved the most tantalizing. “Be Like A Bird Caught Up In The Air” combines equal parts tape-era Mountain Goats with the more sinister and atmospheric work of Phil Elvrum . The result is a dark, ambient folk track dipped in haze and teeming with reverb. The thick, messy background is as off-putting as the steady, acoustic strumming is comforting. The vocal narrative shares a message familiar with that of our generation’s folk crooners — break out and rise above your troubles, because there really are no other options.

Littoral Drift: “Be Like a Bird Caught Up in the Air”

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Words: Marc Picciolo

Stream and download the entirety of the magnificently varied Patient Sounds Sampler Vol. 3, as well as the first two volumes over at the Patient Sounds website