Posts Tagged ‘Bandcamp’

Sightings: Waskerley Way, “Wind Shear”

Wednesday, June 8th, 2011

Saying Mikey B–aka UK’S Waskerley Way–sounds a mess on his new EP, Wind Shear, can only be meant in the most endearing way possible. This nine minute title-track giddily prances around a seemingly endless barrage of disparate sounds held loosely together by a keystone guitar riff and an unrelenting drum beat. The enduring riff-beat combination steadily marches through the length of the song while he piles more and more sonic ingredients on top of the heap. Swirling electronics, thick feedback, and a healthy dose of reverb all collaborate here; coming together in an aural hurricane that rips apart in a climax fit with an otherworldly burst of strings. It may be cliche to call this song a “beautiful mess”, but if the shoe fits, shouldn’t we be wearing it?

Waskerly Way, “Wind Shear”(Wind Shear, Self-Released)

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Words: Marc Picciolo

You can stream/download Wind Shear over at Bandcamp.

Sightings: Wintercoats, “Delicate Position (ft. Sea Oleena)”

Wednesday, May 25th, 2011

Melbourne’s James Wallace–aka Wintercoats–has aptly named this new track with Canadian vocalist Sea Oleena. The track owns its title’s adjective in every measure. Softly picked guitar and ambient noise wrap you in a quiet-time cocoon while Oleena’s voice echos in powerful-yet-wispy fashion against its walls. Lyrically, Oleena accompanies these delicate vibes by painting an Atlas-like image of a woman struggling to hold up the clouds. But this image seems to clash with the relaxing nature of “Delicate Position”’s sounds. Or maybe it doesn’t. Perhaps the real message here is a statement on the very idea of relaxation; that its often not as easy as taking a chill-pill. Wintercoats and Oleena guide you in the right direction here, but–be warned–being a “chill bro” is a lot harder than it sounds.

Wintercoats, “Delicate Position (ft. Sea Oleena)” (Self-Released)

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Words: Marc Picciolo

You can download/stream this track on Wintercoats’ bandcamp page. Hear more from Sea Oleena over on her page.

Sightings: Abadabad, “Park Slope (I’m Sorry)”

Wednesday, May 18th, 2011

Abadabad burst through the gates of the blogosphere in impressive form on debut single “Park Slope (I’m Sorry).” Actually, I suppose nothing about this track bursts as much as slinks. That impossibly catchy riff sneaks up on you and worms its way through your ears like an invisible, bendable laser shot. All the while the track bounces along in a manner that makes me want to jump on a bus immediately and blast this while sauntering through some semi-familiar Park Slope neighborhood. Abadabad succeed lyrically as well, invoking a ‘fuck you’ and ‘wait, Baby please take me back,’ attitude all at the same time underneath bright vocal reverb and overlapping harmonies. We’ll all have many jams this summer, and with “Park Slope (I’m Sorry)” I believe I’ve found my first. Now, how about that bus ticket?

Abadabad, “Park Slope (I’m Sorry)” (Self Released)

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Words: Marc Picciolo

Stream/Download “Park Slope (I’m Sorry) over on Bandcamp.

Sightings: Cerulean Tapes, “When I Saw You”

Wednesday, May 11th, 2011

Mysterious Ann Arbor based musician(s?) Cerulean Tapes paints a beautifully soft and delicate 1950s inspired portrait here on “When I Saw You”. There’s something about the sonic combination of lightly pressed piano keys and lovelorn lyrics present here that teleports me back to a childhood full of backseat car rides soundtracked by Dion and the Belmonts or The Dubs. However, Cerulean Tapes do more than hack up old doo-wop tropes on “When I Saw You.” The track possesses just the right amount of modern day lo-fi influence in its fleeting four minutes to convincingly provide audio for a lonely night under the covers as well as a slow dance in a small-town-high-school Sadie Hawkins’. Delicate keys, slick guitar riffs and a cozy blanket of haze all weave together for a decisively 21st century helping of nostalgia.

Cerulean Tapes, “When I Saw You” (Self-Released)

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Words: Marc Picciolo

Stream/Download “When I Saw You” for free over on Bandcamp.

Sightings: Los Jardines de Bruselas, “Changing, Just Growing”

Wednesday, May 4th, 2011

It’s difficult to describe how a bedroom-pop song from Buenos Aires artist Los Jardines de Bruselas called “Changing, Just Growing” can effect a 22 year-old blogger a continent away. This type of Bandcamped, homegrown music has somehow proven to have wide-reaching universal appeal for people like us. I’m not likely to ever meet the man behind the songs on this Floating in Dreams EP, but I bet we’d have a lot in common; both young people on the internet coming of age in uncertain times. Maybe a profound statement about our generation exists somewhere in this song’s lazyily strummed guitars and shifty electronics. Perhaps there exists profound truth hidden in the mostly unintelligible vocal mix. Or maybe “Changing, Just Growing” is just what you see. An intimately recorded song from far away to be shared with and enjoyed anyone who will listen.

Los Jardines de Bruselas, “Changing, Just Growing” (Floating in Dreams, Self-Released)

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Words: Marc Picciolo

You can stream/download the Floating in Dreams EP over on Los Jardines de Bruselas’ Bandcamp.

Sightings: The Neighborhood, “I Won’t Get You Down”

Friday, April 22nd, 2011

A neighborhood could be a place you grow up, or maybe a place you live, or for some of us it may just be a place we drive through on our way to work. For LA’s Ryan Dolliver The Neighborhood serves as a setting for his unique blend of chill-glazed rhythm and blues — wholly different from the croonings of How to Dress Well or Autre Ne Veut but undeniably soulful.

Unlike some of his peers, Dolliver is not afraid to bring a sense of immediacy to his take on R&B. On “I Won’t Get You Down,” his voice comes in with the first beat, bellowing about his arrival “..on the sidewalk of a windy street” — ostensibly in the neighborhood — as synths rise and fall through the song’s verses. The grooving, three-and-a-half minutes bounce on as Dolliver adds more instrumentation to the sine waves of synthesizers. Additional keyboards, a plinky guitar, and even a chime join his constant assertions of “I won’t get you down.” Like the nicest of neighborhoods, Dolliver makes sure his music is warm and inviting while simultaneously drawing you in with its unique charms. Well worth repeat visits.

The Neigborhood, “I Won’t Get You Down” (The Neighborhood, Self-Released)

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Words: Marc Picciolo
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Sightings: Sun Glitters, “Too Much to Lose”

Wednesday, March 16th, 2011

Spring reared its welcome head for the first real time today in my humble upstate New York abode. Sun poured out onto the street and giant slabs of piled snow finally began to recede from sidewalk paths. The glitter-y vibes of Luxembourg-based electronica peddlers, Sun Glitters, provided my high-on-sun self a warm and welcoming backing track for a day like today with their debut Everything Could Be Fine.

On standout track “Too Much to Lose” the group approaches the practice of pilling on sampled sounds and warped vocal effects with a subtle touch; gently pulling back clouds and allowing bright sounds to peek through and wash over listeners. A slow percussive thump and a warb-ly synth line set the tone and open up your ears to the Pandora’s box of interesting sound treats in the track’s gooey center. Normally something this downtempo and glazed might serve as a warm blanket of sound on a chilly winter’s day, but Sun Glitters gives us the first taste of 2011’s own summer of chillwave.

Sun Glitters, “Too Much to Lose”(Everything Could be Fine, Self-Released)

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Sightings: Arches, “Headlights”

Wednesday, February 23rd, 2011

The first track on Philly-based Arches‘ full length debut Wide Awake may be titled, “This is Not a Good Night for Walking”, but the spinning psych-rock soundscapes that drape like a blanket over the album’s nine songs certainly make me feel like strolling a leisurely paced marathon. This comes as no surprise considering the album supposedly tells a story of a character that flees the “mundane routines” of city life to become a drifter. As someone who frequently flees the city he lives in a car full of gas and a head filled with images of greener pastures, this story instantly appealed to me.

Cue “Headlights”, a song that appears to soundtrack part of the character’s journey on the open road. Swirling guitar riffs that periodically give way to bursts of sound and crashing symbols beautifully capture the spectrum of emotions one feels during a long drive alone; where a quiet stretch can turn into a panic-inducing slosh down a snowy mountain road. The old adage goes, “It’s the journey, not the destination.” and yet throughout the three minute sonic-road-trip of “Headlights” the narrator throws his hands up in frustration and begs to find a “new place to be.” That’s really all of us would-be drifters want anyway.

Arches, “Headlights” (Wide Awake, Self-Released)

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Sightings: New Animal, “Other Side”

Wednesday, February 16th, 2011

My highest hope for music in 2011 is for the blogosphere to be infused with more fun. So much of what is getting passed around these days — while compelling and fun to listen to and write about — is infused with a melancholy that is borderline monotonous. Considering that ours is a community based on earnestness and a hearty DIY attitude, this always seemed strange to me. Atlanta outfit New Animal make me optimistic for my hopeful 2011 resolution. While not every song on their self-titled and self-released debut may necessarily be a happy-fun-time song, they do all come infused with a certain obvious joy — a feeling that says, “This is our music, and it rules! Here! Listen to it! Tell your friends!!”

On “Other Side,” New Animal guide listeners through an impressively smooth, tropicalia-infused grove about tunneling under life’s worries and problems to the promised land. The joy materializes in the form of quiet handclaps, “oh ohs,” and a catchy, head-bob-worthy bass line. Bright, echoing vocals intone the lyrics of the song, but all I can really hear is the sound of a couple of dudes from Atlanta smiling widely and saying, “Aint this fun?”

New Animal, “Other Side”(New Animal, Self-Released)

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Sightings: Range Rover, “There’s Nothing For Me Here”

Wednesday, February 2nd, 2011

Don’t get me wrong people. I love making a musical discovery all on my own and plopping it here with some words. However, plucking gems from other blogs and writing about them here is just as rewarding. Grrrizz’ly recently became one of my favorites. I came home through a blizzard tonight from a double shift at work–something that’s becoming an unfortunate theme in my life–and found this unflinchingly groovy song by “three teenagers from San Diego” on the new tumblr home of the former Delicious Scopitone curator.

“There’s Nothing For Me Here” seamlessly ebbs and flows through the tropes of modern psychedelic lo-fi. Reverb-soaked vocals, head-thumping rhythms, and echoing guitar tones mesh through all six-and-a-half minutes of sound. The same old noise falls into place in rigid, predictable, and ultimately satisfying ways. The title smacks of appropriately teenaged melancholy and escapism, but it feels all wrong to me. “There’s Nothing For Me Here” sounds too hypnotically relaxing for it to truly be about leaving anything behind.

Range Rover, “There’s Nothing For Me Here” (Self-Released)

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