Posts Tagged ‘Brachiosaurus’

Not SXSW #4: The Home Team

Friday, March 16th, 2012

Journalistic shorthand often requires inventing easy categories. One of the most notorious and ill-conceived of the modern era is “the Brooklyn scene.” This monolithic tag is applied to all kinds of bands, and although you could accurately state that there are certain bands who have affinities or connections with each other in Brooklyn, this is true to an extent in all local scenes. Crucially, bands that hop from blog pages to trendy labels in the blink of an eye and are given the “Brooklyn” designation represent just a tiny sliver of the musical diversity in the borough and NYC at large. For this round of bands not participating in SXSW, I’ve chosen a number of under-exposed New York artists.

Brachiosaurus: “The Nature of the Rulers”

Brachiosauras hail from Astoria, in the musically under-appreciated borough of Queens. The band have a straightforward approach that leans heavily on instrumentals, but there is enough creativity in their use of guitar textures and distortion to transcend the banalities that plague much “heavy” music. They’ve just released their self-titled debut and you can find them on Tumblr in addition to Soundcloud and Bandcamp.

Tezeo: “Open Windows”

Tezeo are a duo from Brooklyn working in the extremely fashionable electronic pop idiom. There is a shimmering optimism to the group’s recordings, foregoing the damaged, sample-based scuzz of some of their peers for a clean, welcoming sound. I prefer the flip of their just-released “Friends”/”Open Windows” single on Dummy (instructively, the single is mastered by Sam Haar of Blondes).

Jerry Paper: “I’m A Body”

Jerry Paper is the current moniker of Lucas Nathan (formerly Zonotope™). The Brooklyn-based artist’s Vol. 1 tape is imminent from Digitalis Limited. His damaged pop sensibility is an inversion of the confessional singer-songwriter method, deadpanning ambivalent platitudes over murky plongs and campy whirrs. The result is disorienting and singularly weird, a fully-formed aesthetic space that deserves more attention.

Words: Max Burke

Arthur Radio Transmission #11: The Love Like Deloreans Episode

Wednesday, March 31st, 2010

ACT 1
Scene 1, Off Air
In which DJs Ivy Meadows and Visitation Rites arrive at the Newtown Radio studio ready to set up but are hypnotized by a 25-minute bongo-laden siren dirge — Dreamcolour’s “Spiritual Celebration” — at the tail end of Sunday Brunch with Chocolate Bobka. Unbeknownst to them, the song spills fifteen minutes into the beginning of their set.

Scene 2, Aside
Meanwhile, Peter Pearson, Derek Muro, and Lorna Krier of Brooklyn’s Love Like Deloreans steal away from their home base — a renovated closet space in Bushwick containing some 20 synthesizers — load half of them into a Volvo station wagon, and appear at the station door, successfully breaking the spell that has been cast over Ivy Meadows and Visitation Rites.

ACT 2
Scene 1, On Air
Still haunted by the specter of the siren from Act 1, Ivy Meadows and Visitation Rites attempt to communicate their experience by layering ambient musics from lands as far and wide as ‘70s Germany, early 21st Century Northampton, and present-day Canada into a single organic continuum.

Scene 2, Aside
In which Love Like Deloreans set up all seven of the synthesizers they brought in the drowsy blink of a Sunday afternoon eye, causing Ivy Meadows and Visitation Rites to suspect that that they too possess supernatural powers. Love Like Deloreans do their best to assuage their fears, suggesting that they are simply “putting the punk back in punctuality.” Exeunt Chocolate Bobka.

ACT 3
Scene 1, On Air
Love Like Deloreans perform the first half of their in-studio. Dancing, Ivy Meadows and Visitation Rites attempt to document the event through Blackberry photos, Tweets, and a FlipCam.

Scene 2, On Air
Love Like Deloreans pause to participate in an informal Q&A with Visitation Rites, touching upon their origins as a group, their cohabitation of the classical world and Brooklyn DIY, their roots in New York minimalism and Kosmische, and why the best way to listen to their music is while traveling cross-country.

Scene 3, On Air,
Love Like Deloreans perform the second half of their in-studio. Dancing resumes. Ivy Meadows films an excerpt of their set through the anamorphic lens of an oddly shaped water bottle, the results of which can be seen below.

Curtain

Download: Arthur Radio Transmission #11 with Love Like Deloreans 3-28-2010

This week’s playlist after the jump.
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