Posts Tagged ‘Foot Village’

Sightings: Foot Village, “Let Bebongs Be Bebongs, Idiot”

Friday, July 8th, 2011

Back when I profiled Brian Miller’s now defunct solo project Back To The Future The Ride, I made the point that Miller is a veteran of the LA scene who has seen tides of hype come and go. His numerous bands, solo projects, and side projects now number in the double digits, while his continued stewardship of Deathbomb Arc Records has provided a crucial outlet for the fringes of the Southern California underground scene. For the past six years, Foot Village has occupied the center of Miller’s musical universe. A four-piece, Foot Village plays live sans amplification with four drum kits facing each other, megaphones upping the vocal volume, and members rotating among instruments placed in and around the audience. After three full-lengths and numerous singles, splits, and one-offs, the group is about to drop their most cohesive single-track statement yet. “Let Bebongs Be Bebongs, Idiot” is an epic in miniature that covers all of the major Foot Village touchstones in its 16-minute run time.

Beginning with a lengthy, dissonant introductory section, “Let Bebeongs” builds in tension as wall-to-wall cymbal crashes mingle with insistent, militaristic beats. It’s proof that an all-percussion band need not be a one trick pony, and that the constraints of Foot Village’s instrumentation are in fact a springboard for variety when spread out over an entire side of wax. The shouted refrain, “We just want to party,” builds in intensity as the track stretches into bedlam during its climactic third act, only to retreat into a clanging symphony of precise beats. Miller’s obsession with themes of teen culture and rebellion, present since his earliest releases with Rose for Bodhan, is on full display, and there is nothing like the moment when the snotty vocals of longtime creative partner Grace Lee dissolve into a droning, chant-like chorus where every member of Foot Village has their say all at once. I won’t spoil the final, understated payoff but, like the old cliché, it’s the journey, not the destination, that counts.

Foot Village, “Let Bebongs Be Bebongs, Idiot”

Words: Max Burke
Photo: Renata Raksha
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Portraits: Future Perfect: Back To The Future The Ride

Wednesday, April 21st, 2010

Back To The Future The Ride, s/t free mini-l.p. on Deathbomb Arc

It seems an almost weekly occurrence in the music world: a luminary of the punk/avant-garde/whatever scene invents a pseudonym and starts a meditative side project that can be lazily tagged “drone” or “synth” or “ambient.” It’s easy to become quite jaded with all of this cerebral material. Just a few years ago, going noise was the most cynical move in the book; most of the strivers figured out there wasn’t any money in it and moved along. Next-wave artists who have channeled the kind of introspection that five years ago would almost certainly have been plowed into contact mics and redundant delay pedals have started picking up vintage keyboards and “going deep” on a seemingly endless stream of cassette labels and collector-baiting ultra-limited vinyl editions, while many noise veterans have hitched their wagon to the inexplicable but lucrative goth dance craze.

Entering the fray is Brian Miller, Los Angeles underground scene stalwart, Deathbomb Arc label-runner, and founder of the late, lamented forward- thinking punk collective Rose for Bohdan. He used to run around with legendary improv unit Gang Wizard, and currently heads up the stunning four-drummer revue Foot Village. Bottom line: he’s been making Los Angeles cool for well over a decade. Oh yeah, his cat has a blog too. I’ve known Brian for a long time. Full disclaimer: I used to intern at Deathbomb Arc in the mid-00’s, which at that point he was still running out of his parent’s Burbank garage – an effortlessly punk setup. When I heard he was doing a new project, and already had three releases planned, I was excited but a bit skeptical. The solo drone/ambient project under an ironic moniker schtick seemed a bit too trite for Miller, a musical lifer who has toured all over the world and seen many a hyped scene come and go.
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