Posts Tagged ‘Lucky Dragons’

Sightings: Lucky Dragons, “Existers”

Tuesday, January 17th, 2012

Lucky Dragons music has always made me think of sun light refracted through a prism, and then broken down into a network of startling pixels. This probably has something to do with their seamless fusion of digital aesthetics and organic sound textures. Their positive, forward thinking sounds bring to mind a future where nature and technology work together in harmony. “Existers” is the opening, and title track from their forthcoming album. It builds on their established aesthetic with lush synth flourishes, and tight, simple hand percussion. Those who have been following their work will be surprised when Sarah Rara’s sultry vocal enters the mix. While this is more of a pop element than what we’ve come to expect from Lucky Dragons, it builds off nicely from their established sound, and hints at a future of fruitful experimentation.

Lucky Dragons, “Existers”

Words: Samantha Cornwell

Existers will be available on Valentine’s Day 2012.

Sightings: Sara Rara, “A Ray Array”

Friday, November 18th, 2011

In Aldous Huxley’s psychedelic memoir, The Doors of Perception, he comments on the beauty and mystery of the network of leaves surrounding a flower, over the celebrated blossom itself. The idea is that an expanded mind will be drawn to more subtle patterns and tones, as opposed to grandiose aesthetic flourishes. A Ray Array, the new experimental film by Lucky Dragons member Sara Rara, provides a lens for these details. The 58-minute film explores the idea of interference through visual ruptures, interactions between sound signals, and optical illusions, and is composed of static shots– mostly of everyday objects.

The score, which comes courtesy of Rara and Lucky Dragons’ Luke Fishbeck is overwhelming and persistent at times; and at other points, it seems to magnify diegetic sounds from what is transpiring in the frame. As simple and non-narrative as the film is, it is one of the most emotionally impactful experimental pieces I have ever seen. As two sets of hands pull a transparency with parallel lines over a nearly identical sheet of white paper, creating a dance of DIY optical effects, you are reminded of the strength and magic of partnership. When a sublime, rounded, moon-like sheet of marble suddenly shatters, you feel a profound sense of despair and destruction. Once again, these images are largely simple and commonplace. The film’s strength lies largely in its ability to remind us of the power of looking and listening.

Words: Samantha Cornwell

Sightings: Time, Place, and Lucky Dragons

Tuesday, October 19th, 2010


I often wonder where I would be as a music fan if I hadn’t spent the end of my teens and the first part of my twenties in Provdence, RI. The small New England city has a music culture that is both legendary and delightfully home grown. I completely owe my appreciation of and investment in DIY music culture to my time there. As I was finishing up my final semesters at Brown, it seemed like the identity of the city — and the vibrancy of the scene — were in sort of a state of flux. Spaces were getting shut down, and some of the more prolific bands were fleeing to places like Philadelphia and Oakland. It was sort of a sad note to leave on, but from what I gather Providence’s music culture still persists — although it might look and sound slightly different.

Luke Fishbeck and Sarah Anderson of Lucky Dragons were two consistent faces throughout my time in Providence. Luke was a grad student at Brown’s Electronic Music department. The band started off as his solo project. He would position his incredibly tall frame as low to the ground as possible and generate beautiful, expansive electronic sounds. Often he would flail about, as though in the throes of some sort of cryptic religious rite. Sarah, his girlfriend and collaborator, became a permanent fixture in the band later on. She was also incredibly tall. She sat relatively close to me in a seminar called “Middlemarch and The Sopranos” (yes, that was a real class). One night, I curated a film screening on the second floor of the visual arts building. What must have been one of the first Sumi Ink Club drawing sessions was happening down the hall. I remember being a little bit confused, but delighted by the loose, creative atmosphere of that particular gathering.
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Arthur Radio Voyage #8: The Bobby Bouzouki Episode

Sunday, March 14th, 2010

Episode #8 of of Arthur Radio definitely makes Visitation Rites’ universal internet heart sing. Ivy Meadows and Harry Painter shower you in an ecstatic medley of psychedelic dirges from all four corners of the planet. Special guest Robert Damore (aka Bobby Bouzouki) whispers some bittersweet nothings on his Bouzouki, and even takes the time to recount some of the narratives behind the rebetika (Greek folk songs) he plucks. Visitation Rites concludes the voyage with an ode to the past, present, and future of drone.

A tentative listening guide, straight from mobile writing desk of DJ Harry Painter:

“The sun is here and opens the curtains slowly! It brings the slow glowing dust! It springs the earth out of polar jail, the winds blow the desert sand to make for better traction. If you sit, it will make your hair look sexier! The tectonic plates are shifting all around us, their quakes make the planet spin faster, and change the pitch! If you jump, you can land in buttes, the plateaus, or the Isle of Cyros! Through our earth’s muzak, the winds blow Bobby Bouzouki up to the Arthur radio treehouse for a jaunt upon rebetika mountain. Happy trials!”

“Arthur Radio Voyage #8: The Bobby Bouzouki Episode”

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Download the entire episode on Arthur Magazine.

This week’s playlist after the jump (we recommend listening before looking).
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