In the course of only two months, several popular indie music bloggers launched their own small press record and/or tape labels, operating in conjunction with their namesake publications and specializing in artists that fall within their editorial scope: Gorilla Vs. Bear and Weekly Tape Deck with Forest Family Records; My Old Kentucky Blog with Roaring Colonel Records; Chocolate Bobka with The Curatorial Club; White Guys With Beards with Wonder Beard Tapes; and Yvynyl and Frightened by Bees with Trig Club.
Although these new operations are of many shapes and sizes, the event casts a spotlight on the extent to which blogging diverges from both traditional music writing and journalism writ large. Several blogger-run labels debuted to great media fanfare (as far up on the musico-journalistic pecking order as Pitchfork), despite violating one of the greatest tenets of traditional journalism in any medium: the belief that the writer writes primarily for his or her readers, and should not stand to benefit financially or professionally from any opinions expressed within his or her writing.
Do blogger-run labels represent a conflict of interest? Or is blogging a distinct form of communication entirely, exempt from the ethical standards of journalism and criticism? If so, what sets blogging apart from other media? Do any rules apply?
To put in your two cents, kindly head over to Tiny Mix Tapes and post a comment. On Thursday, June 10th, Underwater Visitations will team with Microphone Memory Emotion to host a radio panel on blogger-run labels and the ethics of online music writing. Guests will include Pitchfork founder Ryan Schreiber, Chris Cantalini of Gorilla vs. Bear and Forest Family Records, Michael P. McGregor of Chocolate Bobka and The Curatorial Club, and perhaps a few surprise guests. Interesting comments on the TMT thread are guaranteed to be factored into the discussion!