Posts Tagged ‘Night People’

Sightings: Goldendust, “After The Smoke Grew Thick”

Tuesday, June 28th, 2011

Iowa City duo Goldendust seem to have found a happy home on Night People.  At the end of last year, Rose Quartz brought the band to our attention in spotlighting the label owner’s year-end list. “After The Smoke Grew Thick” is a cut from their upcoming Night People LP, slated for release this summer. We enter a bleak, immersive atmosphere suffocated by thick clouds of smoke. Distant, sorrowful vocals might bring comparisons to ’80s dark wave bands, or even the affectedness of fellow lo-fi experimental pop Midwesterner John Maus.  The contrast between the light, melodic portamento synth of the foreground and the heavy, analog synth beat of the background is well suited to the storyline, which describes a haze of confusion.  It’s the perfect soundtrack for oppressively hot summer nights when the air becomes nearly too thick to bear, yet too enticing to avoid.

Goldendust, “After The Smoke Grew Thick”

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Words: Mary Katherine Youngblood

“After The Smoke Grew Thick” also appears on the label’s recent, freely downloadable Deluxe Double Fold Compilation. Grab Goldendust’s recent Digital Skies cassette from Night People

Sightings: Lantern, “Nothin’ Comes Easy”

Thursday, June 2nd, 2011

Who doesn’t love a good, old-fashioned audio “Fuck You!”? Lantern’s “Nothin’ Comes Easy” is all raw rock’n'roll emotion and Quentin Tarantino movies. Blistering guitar rages through its two-and-a-half minutes while drums pound and tambourines shake. The cassette’s liner notes name Zachary Fairbrother as the track’s furiously wailing vocalist, burning off the frustration of life’s one and only truth that we all learn sooner or later. Nothing comes easy, and like the rest of us, Fairbrother just “wants to break free.” He revels in the satisfaction of telling some unknown entity that he “doesn’t owe them shit,” and we revel with him–all while throwing our fists in the air. Lantern channel the energy of Fun House here in the best possible fashion. Turn it up to 11 and wail along; cracking speed limits and not giving a damn the whole way.

Lantern, “Nothin’ Comes Easy”(Stranger I Come. Stranger I Leave. Hi-Fi., Night People)

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Words: Marc Picciolo

You can order the Lantern Stranger cassette Stranger I Come. Stranger I Leave. Hi-Fi. from Night People.

Sightings: Bebe Fang, “Pac Al I”

Tuesday, March 29th, 2011

[Photo by Kasper Vogelzang]

There’s a strange sensation that I like to call “The Beautiful Foreboding.” Those of us who reside in California know it well. It’s a common feeling you’d get right before an earthquake. Imagine enjoying a cup of tea on your sunny porch, but some part of you knows that the ground may start to shake and disrupt your peace in a profound way. The track “Pac Al I” by Utrecht folk duo Bebe Fang is a sonic encapsulation of that feeling. The meandering chimes, coupled with the echoed, muffled vocal loop create an air of uncertainty that ranges from peaceful, to hypnotic, to unsettling at the drop of a hat. While many of the subsequent tracks on their self titled EP feature earthy, soulful vocals, “Pac Al I” starts off the album on an ominous note. It could be described as spiritual music for those uneasy souls who know they can get to paradise, but know that it might evaporate at any moment.

Bebe Fang “Pac Al I”

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Bebe Fang’s self titled EP will be released in the US this Spring by Night People

Sightings: Wet Hair, “In the Garden of the Pharaohs”

Wednesday, December 8th, 2010


“In the Garden of the Pharaohs”, from Iowa artist Wet Hair’s new split with Australia’s Naked On The Vague, opens knee-deep in a sand dune. Slowly, Wet Hair’s deftly rhythmic hodgepodge of electronic loops and live drums sets the stage for an exodus out of the Valley of the Kings, a strain of victory music any the wandering soul who happens to chance upon it. If you count yourself among those who can do these sorts of things, picture playing a video game from the ancient 1980s. A soundtrack for the score screen at the end of that excruciatingly difficult, desert-themed level. Dodge cacti, avoid quicksand, and enjoy the rush.

Wet Hair, “In the Garden of the Pharaohs”

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Reviews: Some Twerps from Australia Drop Self-Titled EP on Chapter Music/Night People

Tuesday, January 19th, 2010

l_465867627bd75b563e06daf4689037c5Lazy internet journalist types would have you believe that Melbourne’s The Twerps are the Australian Real Estate. This comparison may make sense in the hallowed halls of MP3 hype, but it doesn’t hold much water upon closer aural inspection. If dudes playing guitars and singing earnestly makes them Real Estate soundalikes, then we’re in trouble. Regardless of your entry point to The Twerps’ world, the group recently released their debut recordings on the lovely Night People label (in the perennially beloved cassette format) and Australia’s Chapter Music (in the increasingly popular 7” + Bonus CD format). The Twerps cover a lot of ground here in 25 minutes and 9 tracks, from the tossed-off spoken word of “Dance Alone” to “Drunk On Me,” an acoustic ballad which nails woozy high school relationship drama with uncanny precision.
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