Posts Tagged ‘Nihiti’

Sightings: Nihiti, “Lit Up In Rows”

Tuesday, October 11th, 2011


NY/Berlin electronic duo Nihiti have returned to the dark side.  After last month’s folk spun acoustic delicacies on the Faced With Splendor EP, Dracon Ostlks (who is associated with Altered Zones) and Viktor Timofeev recorded bass/drum/guitar machines for “Lit Up In Rows” this past August in Berlin under “romantic distress.”  Ostlks’ pained vocals question the cold, rigid order of urban landscapes found on both sides of the Atlantic while exploring the possibilities of human connectedness, solidarity and renewal. As the track’s layers build towards a triumphant culmination urging bodies to move, we’re reassured that at least a flicker of hope exists in what has been soberly  “lit up in rows –” and that all who wonder, and all who wander, are not forever lost.

Nihiti: “Lit Up In Rows”

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Words: Mary Katherine Youngblood
Image: Viktor Timofeev

Check the Faced With Splendor EP and Viktor Timofeev’s Give Health999 LP on iTunes here and here.  Both were recently released on Lo Bit Landscapes, from which physical releases will soon be available.

Sightings: Nihiti, “Hymn Divisions”

Saturday, July 10th, 2010

I had the honor of ringing in the fourth of July this year on one of the best rooftops in New York — a giant graffitied basin within eyeshot of the fireworks on the Hudson River, and an eye within a secondary Brooklyn storm of small-scale explosions, spiking up from sidewalks, public parks, and residential balconies. The word on the street was that the man with the “best sound system” in the borough” — Nihiti’s Dragan O. — was hosting a fourth of July BBQ and 6th floor dance party. About fifty people were gathered there when the fireworks started inscribing misshapen U.F.O.s in the skyline, and I was beginning to wonder where our beloved host was hiding when I received the following song from him on my Blackberry, straight from an improvisation he had done that very day in Berlin (!), with expat artist Viktor Timofeev.

Looking back, this slow-grind dance track feels just as suited for staring up at the smoke-choked orange moon as Deutsche Wertarbeit’s Deutschewald, which soundtracked the serendipitous moment when I received it. Against that backdrop of permanent daylight, the title of the jam it was excerpted from — “German Sunset in an American Heart” — couldn’t have possibly felt more meta.

Nihiti/Viktor Timofeev, “Hymn Divisions” (Self-Released via SoundCloud)

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Sightings: Nihiti, “Black Cars (A Sinistra)”

Wednesday, June 16th, 2010

Nihiti’s Dragan O. is serious about bass. You know, the kind of deep and sexy boom that travels up your legs and fiddles with your natural heart beat, bass that may be even too low to detect but that sneaks in the tiny water-logged caverns of your inner ear and knocks your entire body for a loop. When he returned from an extended sojourn into the eternal white night that is the Berlin techno scene, he fitted out his Williamsburg loft apartment with a subwoofer and deluxe speaker system that can be heard up to three blocks away. Dragan assures me that his is hands-down the best sound system in Brooklyn, though truly serious DJs in Berlin often have about fifteen of the same units blaring at once. I think one of his many missions in life is to make us wimpy Brooklyn kids wise up to the majesty of the deep.

On non-party nights, Dragan presides over his 6th floor kingdom from a table set-up at the far corner of the loft, swinging a long lanyard of keys and staring wide-eyed into a laptop that is plugged directly into a mixer. The treble component of his sound system, trilling at half-mast, rises up ominously like two small mountains on either side. As friends and neighbors come and go in the common space, chatting and giggling and transporting plates of uncooked meat up to grill on the roof, the air of concentration surrounding this makeshift dashboard is thick enough to cut with a knife.

The endless stream of Dragan-curated MP3s that you can count on flowing forth from this station at any given hour on any every given day is totally all over the place, sometimes spanning John Fahey and Kosmiche and Nine Inch Nails in the space of a few minutes. Dance music is just one of Dragan’s recurring passions, and “Black Cars (A Sinistra),” one of my favorite tracks that he recently sent my way, shows that he’s heard enough of it to master one of it’s most powerful secrets — namely, that less of something very loud and meaty is inevitably always more, and that a missed beat, a subtracted sound, always matters a whole lot more than one you can actually hear. Regardless of what Dragan says, I don’t think you have to be from Berlin to appreciate that.

Nihiti, “Black Cars (A Sinistra)” (Other Peoples Memories, Lo Bit Landscapes)

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Nihiti’s album Other People’s Memories drops October 5 on Lo Bit Landscapes Follow Nihiti on Twitter for Dragan-generated prophecies, and check out his SoundCloud for additional tunes.

Words: Emilie Friedlander

Underwater Visitations Episode #7: The Maids Episode

Thursday, June 10th, 2010

When I stumbled upon Maids at a one-off Upstairs CD-R show at Coco66 this Spring, I remember stopping dead in my tracks, covering my ears in pain, and being unable to stop mouthing the words, “Abandon All Hope All Ye Who Enter.” Behind a suffocating wall of smoke, the 2-man rhythm section of New Jersey’s Big Troubles could be seen down on the ground in matching child’s poses, bowing in deference before a projection of a giant floating head — not unlike the Wizard himself, pictured above. I could barely make out what type of gear they were using, but the squall they produced was so debilitatingly loud that I couldn’t help remembering the one time I saw Whitehouse play and actually experienced the sensation of my ear drums being stretched to the ripping point. Funny thing, is Maids sound like nothing like Whitehouse. As I learned when Sam Franklin (also of No Demons here) rolled up to Newtown radio last Sunday, they simply layer purring drones and lackadaisical pentatonic keyboard scales until the room gets so saturated with sound that you actually end up getting a little scared. Probably all the more so because they are clean-cut surburban dudes who play in indie rock bands and show up on stage with their shirts tucked in.

Underwater Visitations Episode #7: The Maids Episode
Download the entire episode here.

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Playlist after the jump.
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