Posts Tagged ‘Pronoia Sunsets’

Back To The Future The Ride: “Zero Ghost”

Tuesday, September 14th, 2010

Back to The Future The Ride- Zero Ghost from rob heppell on Vimeo.

A friend recently complained to me that most Americans seemed to view Paris as a “Disneyland for romance”. Based on her tone, it seemed like she was referring to the trite romance of candlelit dinners and accordion serenades. The implication was that this widely held view had made Paris a less appealing destination for the type of traveler who is looking for the type of romance that can’t be so easily packaged and sold.

Rob Heppell’s new video for the song “Zero Ghost” by Back to The Future The Ride takes us on an unusual journey through the streets of Paris; rather than a city of traditional romance, Paris becomes a hotbed of paranormal activity. These ghosts appear to us as dancing lights that float around the branches of cherry blossom trees. As the somber, repetitive keyboard tones set a mood that alternates between sublime and paranoid, we wonder if these spirits are to be trusted. There is something radically romantic in this ambiguity. It is made clear that something sinister is at work when the words “Phantomes Quitter!” (Ghosts, leave!) appear in the glass pane of a phone booth. Rather than wanting these ghosts to leave, I find myself more and more anxious to know their story.
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Portraits: Future Perfect: Back To The Future The Ride

Wednesday, April 21st, 2010

Back To The Future The Ride, s/t free mini-l.p. on Deathbomb Arc

It seems an almost weekly occurrence in the music world: a luminary of the punk/avant-garde/whatever scene invents a pseudonym and starts a meditative side project that can be lazily tagged “drone” or “synth” or “ambient.” It’s easy to become quite jaded with all of this cerebral material. Just a few years ago, going noise was the most cynical move in the book; most of the strivers figured out there wasn’t any money in it and moved along. Next-wave artists who have channeled the kind of introspection that five years ago would almost certainly have been plowed into contact mics and redundant delay pedals have started picking up vintage keyboards and “going deep” on a seemingly endless stream of cassette labels and collector-baiting ultra-limited vinyl editions, while many noise veterans have hitched their wagon to the inexplicable but lucrative goth dance craze.

Entering the fray is Brian Miller, Los Angeles underground scene stalwart, Deathbomb Arc label-runner, and founder of the late, lamented forward- thinking punk collective Rose for Bohdan. He used to run around with legendary improv unit Gang Wizard, and currently heads up the stunning four-drummer revue Foot Village. Bottom line: he’s been making Los Angeles cool for well over a decade. Oh yeah, his cat has a blog too. I’ve known Brian for a long time. Full disclaimer: I used to intern at Deathbomb Arc in the mid-00’s, which at that point he was still running out of his parent’s Burbank garage – an effortlessly punk setup. When I heard he was doing a new project, and already had three releases planned, I was excited but a bit skeptical. The solo drone/ambient project under an ironic moniker schtick seemed a bit too trite for Miller, a musical lifer who has toured all over the world and seen many a hyped scene come and go.
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