Posts Tagged ‘Spanish Prisoners’

Sightings: Spanish Prisoners, “Know No Violence”

Monday, July 11th, 2011

I got my first taste of Spanish Prisoners‘ shimmering dream-pop last year, when they self-released their Los Angeles Guitar Dream EP via Bandcamp. The Brooklyn four-piece has a knack for crafting narrative-based, melodic vignettes, not unlike self-contained story-universes that made Broken Social Scene’s You Forgot It In People so compelling back in the day. “Know No Violence,” below, is a track from their forthcoming Gold Fools full-length, which also contains a woozy reworking of the “Los Angeles Guitar Dream” single. Featuring gymnastic melodic changes, whispy theatrical asides, and the kind of reverb that makes a lead guitar line simulateously hazier and more vivid, “Know No Violence” makes me feel like mining the fullness of Gold Fools will be quite the repeat adventure.

Spanish Prisoners, “Know No Violence”

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Words: Emilie Friedlander

Gold Fools album will be self-released by the band this Fall. Visit their website for details

Underwater Visitations Episode #7: The Maids Episode

Thursday, June 10th, 2010

When I stumbled upon Maids at a one-off Upstairs CD-R show at Coco66 this Spring, I remember stopping dead in my tracks, covering my ears in pain, and being unable to stop mouthing the words, “Abandon All Hope All Ye Who Enter.” Behind a suffocating wall of smoke, the 2-man rhythm section of New Jersey’s Big Troubles could be seen down on the ground in matching child’s poses, bowing in deference before a projection of a giant floating head — not unlike the Wizard himself, pictured above. I could barely make out what type of gear they were using, but the squall they produced was so debilitatingly loud that I couldn’t help remembering the one time I saw Whitehouse play and actually experienced the sensation of my ear drums being stretched to the ripping point. Funny thing, is Maids sound like nothing like Whitehouse. As I learned when Sam Franklin (also of No Demons here) rolled up to Newtown radio last Sunday, they simply layer purring drones and lackadaisical pentatonic keyboard scales until the room gets so saturated with sound that you actually end up getting a little scared. Probably all the more so because they are clean-cut surburban dudes who play in indie rock bands and show up on stage with their shirts tucked in.

Underwater Visitations Episode #7: The Maids Episode
Download the entire episode here.

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Playlist after the jump.
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Sightings: Spanish Prisoners, “Los Angeles Guitar Dream”

Wednesday, September 23rd, 2009

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When people describe 21st century psychedelic music as “lo-fi,” are they talking about the ends of that music–what we hear–or the means that go into its creation? I think that most people use the term to signal a certain sound: the golden, degraded, passed-twenty-times-over-a-cassette-recorder aesthetic, minted by acts like Ariel Pink and The Skaters and forming a primary earmark of what David Keenan recently termed “hypnagogic pop.” But let us not forget that there are millenial psychedelic artists who employ equally “lo-fi” recording technologies without necessarily building a shrine to the crackle and warp of low-fidelity.
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