Posts Tagged ‘Three Lobed’

Sightings: Gunn-Truscinski Duo, “B38 Blues”

Monday, September 27th, 2010

Last year, Steve Gunn produced us a standout raga-folk record in Boerum Palace. That album was primarily a showcase for Gunn’s unaccompanied guitar, with a few memorable contributions on steel guitar from Marc Orleans. Now Gunn is back, this time recording with drummer John Truscinski, a later contributor to GHQ with Gunn and a member of improv trio X.O.4. with Bill Nace.

“B38 Blues” is one of three long tracks on their new LP Sand City (along with the brief closer “Outro”), showcasing their music at its most downbeat and ruminative. Truscinski’s percussive contributions are barely audible at first, like high-pitched background drones behind Gunn’s unfurling guitar passages. Dissonance begins to creep in as the song enters its second half, with Truscinski’s idiosyncratic percussion growing in volume as Gunn’s playing threatens to lose the plot. Just as it seems the song might collapse in on itself, both players pull back and Gunn’s playing slides into sharp focus. “B38 Blues” captures the appeal of the album at large, which feels both casual and tightly plotted. The offhand way in which Gunn and Truscinski build songs from a few gestures — the defining characteristic of Sand City, and the reason for its success -– can be put down to that oldest of musical virtues: chemistry.

Gunn-Truscinski Duo: “B38 Blues”

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Words: Max Burke

Sand City LP (+ download) is out November 2 on Three-Lobed

Reviews: Steve Gunn, Boerum Palace (Three-Lobed)

Sunday, January 24th, 2010

l_92bdc10105ad4cc1bf8eef4c7c12ac6dThe underground is currently experiencing a golden age of solo guitar activity. Although tragically overshadowed by the death of Jack Rose, 2009 was a watershed year for experimental and classically minded operators, including crucial releases from major players spanning the stylistic pantheon. Sir Richard Bishop, Tom Carter, Pete Nolan, Glenn Jones, and Mr. Rose himself (solo and with The Black Twig Pickers) were joined by debuts from the likes of Willie Lane (whose debut solo outing Known Quantity, released on his own Cord-Art Imprint, was one of the most slept-on releases of the year), and Steve Gunn.
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Sightings: Steve Gunn, “Mr. Franklin”

Tuesday, October 20th, 2009

l_8a8674ea205a48db81d4a111ffeb8f22A dude picking on an acoustic guitar can be a truly terrifying thing. If you’ve even been to a college, you probably already know why. A strolling hippie with a six-string hanging off his or her patchouli and entitlement-scented backside can send whole innocent families into paroxysms of terror without even playing a note. Such is the fear of the threat. With his second solo long player, Boerum Palace, GHQ’s Steve Gunn calmly and discreetly joins the class of modern day John “Not Lawnmower Man” Fahey acolytes who say “No” to the hippie who just wants to get laid and “Yes” to the hippie who wants to backpack across Eurasfrica.
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