Death Unit at Coco66 in Greenpoint, January 29, 2010
At the midpoint of the last decade, it seemed possible that noise music was ready to reach an audience beyond a core group of hardcore scene aficionados, record collector nerds, other musicians, fringe Euro art enthusiasts, and Midwestern basement hangers-on. Wolf Eyes toured with Sonic Youth and released the epochal Burned Mind after signing with Sub Pop. Carlos Giffoni inaugurated his first No Fun Fest with a mind-boggling line-up of artists from all corners of the scene. Giffoni’s own No Fun Productions tracked the development of noise from 2005 onwards with a carefully curated selection of just over fifty releases in five years, a surprisingly lean number of offerings from a scene known for its sometimes comical prolificacy. Lightning Bolt was gaining some overground attention with a brand of hyper-charged punk that merged noise and thrash metal with the strong aesthetic appeal of the legendary Fort Thunder collective.
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With collector paradises like 
